Pit Fire & Raku Results!

I love this part of the semester, when after 8 weeks of building, scraping, sanding & polishing... you finally get to see the final results of your efforts. Below, pictures from the pit firing~

Pots emerging from the fire~

Classmates looking at our freshly fired pots. There is generally a lot of pointing, ooohing & aaahing going on at this time.

I only had a few pots in this firing & here are my favorites~

We also did a couple of Raku firings at school~ below the kiln is being loaded.

Removing the hot pots from the kiln & placing them in metal cans with combustibles... generally newspaper and/or sawdust.

The pot is left inside for a period of time to reduce.

Testing pots over open flame.

Below, my faves from this firing~

Double click on any image for greater detail.

I have to admit,  I am partial to Raku firing & reduction of these pots. I think the surfaces achieved by this method are simply delicious!

:) 

While this class is over, I'll likely continue to build more pots over winter break, though most of my time the next 6 weeks will be spent focusing on creating more bears in my hand building class. I hope to have a series of pots & bear sculptures to present for the SFCC student ceramic sale coming up at the end of November! It will be my first time participating, so I'm anxious to see how it goes!

:)

Evolution of a Pot

I am not generally one to add abstract designs to my pots, but for whatever reason, on this particular day, I decided to give it a go. I have to admit, I was not happy with it at first & I was sooooo tempted to recycle it when it was in it's wet state, but a few people in class said some things that made me decide to keep it.

I cut the lid just after the photo above, and the pot began it's drying process.

Unfortunately, this is what happened as it dried~ the lid & pot dried in different directions.

I don't know why this happens exactly, but I find when I make lidded pots w/ the Micaceous Clay, the lids tend to warp. It doesn't happen every time, but I'd say with me, it happens about 1/2 the time. I've tried drying the lid with the pot, drying the lid upside down with support, and then a combination of the two. I think it is just the unpredictability of working with real, honest to goodness natural, directly "of the earth" clay. Or maybe it's just me! But I digress. This presented a challenge, and it seems I am always up for one (ha ha) so I figured I'd give it a go at repairing it.

That is one thing I love about working with Micaceous Clay... you can do repairs when it is bone dry... something you cannot easily do with commercially processed "regular" clays. It is, however, a rather tedious process. I started with water scraping & sanding down the high points. Then I began the slow process of rebuilding the rim by wetting the pot & very gradually adding more clay. You can only add a teeny bit at a time, then you must let it dry, and repeat this step over & over until it comes close to fitting.

Then you must sand, adjust, add more clay if needed. I worked on this pot little by little over the course of several weeks.

Here it is after all that work~ all sanded & ready to polish. The lid fit was not quite perfect (I am a stickler for the perfect lid fit!) but pretty close. I figured it was as close as I was going to get.

Polished pot with a fine Micaceous Slip. At this point it went into the bisque & awaited the final firing. I knew with this pot, I would want to do Raku for the 2nd firing, and as luck would have it, we did 2 Raku firings on the last day of class! Yay!

Below are the results.

:)

"Evolution Pot"
Hand dug Micaceous Clay
Hand Coiled, Sculpted, Scraped, Sanded, Polished.
Low Fire Bisque/Raku/Reduced

*Double Click on any Photo for greater detail :)

I've included many angles, as I do, to show the delicious effects of the Raku firing on Micaceous Clay. I'm in love with Raku & reducing pots... I find the effects to be simply wonderful! The lid did warp just the tiniest bit during the final firing... just enough so that again the lid does not fit just perfectly. But with clay, just as with life, things aren't alway perfect... & sometimes those little imperfections are what make life more interesting.

:)

** We just finished firing the rest of our Micaceous Pots this weekend... I'll post the results just as soon as I have time to photograph them properly!

Belated Mica Clay Class Results :)

I know... Finally!!

Though my class ended in July...  I'm just getting around to posting my pots from the Micaceous Clay class I took this Spring/Summer at my instructor's studio. (What can I say... it's been a busy summer!)

There were only a couple of us in class, so I really feel I learned a lot this time around & I was really pleased with the way this group of pots turned out. I'm not going to post all the pics of process & production (though I am all about process... it would just make for too many photographs... you'll just have to trust my words... these hand coiled pots are extremely labor intensive!) I am settling instead for showing you some of the pots as they are coming out of the fire, during testing & a few "studio' shots at the end.

:)

Pots being fired above, and fresh out of the fire below.

Above, most of the fired pots, though a couple were still in reduction. (To reduce the pot, you take it out of the fire & place in a closed receptacle like a metal trash can, along with sawdust & newspaper. It ignites immediately & when the lid is closed it starves the air of oxygen, and the result is a blackened pot.)

Once my pots are home, I test them all to make sure they all hold & boil water. I have to admit, I am kind of in love with these pots! First off, in my humble opinion, they are just gorgeous! Secondly they are a highly functional piece of fine art. And thirdly, cooking in a pot you made yourself is just, well... cool, let's face it.

...

As you know I like to document, so I wanted to "professionally" photograph each pot, as it helps me keep a visual log from where I started in clay, to where I'm at skill wise, as well as to identify areas in which I need improvement. Problem is, I don't have the proper lighting set up, so this can be a challenge. 

The traditional orangish pots w/ the smoke clouds photographed alright, but I had trouble getting the color & focus right on the blackened pots. They do look much more beautiful in person, and my photographs don't do them justice, but at least you get the gist of them.

 I was unable to get them all photographed in this fashion, as I left for California soon after these pots were fired, and I took several with me to be given as gifts to friends & family.

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On a side note, yes, I am enrolled in another Micaceous Class this fall. This will be my 4th class in Micaceous... so I think it is fair to say that I am in love with this clay. While the labor intensity is beyond what I've experienced using other types of clays & other methods... I'm telling you, it all becomes worth it when you see the pots come out of the fire.

:)

I also wanted to give another special thanks to my Micaceous Clay Instructor/Mentor Brian Grossnickle, who won't be teaching at SFCC this time around. Thanks so much for sharing all your knowledge & expertise so openly with your students... and for firing our pots so beautifully. I always will keep in mind that "Symmetry is overrated," (though I am sure I will still strive for it!) and will try my best not to be a limp wristed potter :)

You will be missed!

Results from Glaze Calc Class

Finally got "Big Bear" glazed & fired. Though I think the form could be just a little better (it's a process & I'm still learning how to "go big" & my skills are not quite there yet) I am crazy about the glaze results! I have been working on variations of the Satin Mint glaze in class- the results you see here are from 3 different points on a 21 point triaxial. The darker brown in between the front & hind legs is simply the clay body & the effects of the soda fire.

Bear Sculpture~ H: 8 1/2", W: 8 1/2",  L: 21" Satin Mint Glaze, Modified. High Hills  Clay Body,  Soda Fired~ Cone 10

This is not my favorite angle, (his head looks funny!) but I wanted to give you a 360 view so you could see all the variations of glaze color & texture. (Click twice to enlarge for greater detail.)

Of the 10 or so small bears that came out of the kiln, these 5 are the ones that made the cut. The others I either was not happy w/ the glaze effects, the posture of the bears, or both. The one on the left is Satin Mint green on a dark brown clay body! I find it extremely interesting how totally different the glazes look on different clay bodies.

I also got a bunch of functional work back, but this cup was really the only one I was excited about. Why you ask? Well, because of the glazes!

While I did one dip from the Shino bucket from a premixed glaze, the other 2 glazes are from glazes we mixed & modified in glaze calc class. The center stripe is... *wait for it* Satin Mint Green!! (I know, I am totally obsessed w/ this glaze!) The rim & inside of the cup is "Ronbeck Blue," a result from mixing a line blend from my glaze triaxial slop & a classmates glaze triaxial slop. If you haven't figured it out, it has been named after my classmate & I, and it's a hit! Only 1 week of classes left~ got most of my remaining work glazed Monday... just a few more pieces to do & that's it. While I'm ready for a break, I also feel classes are coming to a close just when I started getting into the swing of things. Already excited to see how the final pieces turn out!

:)

Season Finale of "Clay Days"

    “I do think a  man has missed a very deep feeling of satisfaction if he has never created or at least completed something with his own  two hands”

    -One man’s wilderness, an Alaskan odyssey…(from  the journals of Richard Proenneke) 

A quote my Mom emailed me... and quite appropriate, I believe, for the Season Finale! Clay Days have officially come to an end. You'd think I'd be sad... but actually I'm a little excited to have a bit more free time next week to get out & enjoy the great outdoors as fall is shifting towards winter. Here are the gorgeous bisqued pots, piled & ready to fire~

Remember how smoky that first pot turned out? Well the key it turns out, is to elevate the pots on racks, rather than use pallets as we did the first time. The pallets burn down, and the pots sit too long in the smoldering ash, which gives that super smoky look. Here's all the pots on racks & ready to go!

Again hesitant about getting too smoky a pot, I only put small pieces of Ponderosa Pine bark directly on my pots... then the firing is done the same as last time... wood is piled up to form a tent around the pots and then lit on fire~

After it burns awhile, the pots begin to emerge.

And, after many weeks of work... the pots are finished!

Below is the Charlie Brown Pot~

Still not my favorite, but not so Charlie Brown looking any more.

:)

My pride & joy below... the last big pot that I completed~

And, a tie for my favorite pot below... formerly known as the "Genie pot," I now call it Felipe's Pot (since it was made from Felipe's Clay.)

:)

Being so hesitant about getting too smoky a pot, I went in the other direction this time & feel a bit more of a smoke cloud would've done this pot more justice. But hey, I'm learning... and now have more of a sense of what to do next time I have the chance to work with Micaceous Clay.

:)

And, last but not least... my little Pumpkin Pot! This one was made with Felipe's Clay... and also at the very end of the session, so the craftmanship could have been just a bit better, though I do think it is awfully cute! It's a small pot that fits perfectly in my hand.

:)

My instructor thought it might make a good garlic roaster... hmmmm...

I did get back a little work from throwing on the wheel at the beginning of class, but not having the time to do glaze tests... the results were less than adequate, and really not worth posting, though I do have a few things left to be fired... so we'll see. But for now, I'm ok with this, as I simply didn't have the time to do it all... and am actually quite happy with what I did get done, considering the full time job & all. And I learned so much about working with Micaceous Clay in the traditional manner that stretches back generations... before there were such things as wheels & glazes!

Happy Fall, Everyone!

:)